Exquisite Corpses
Scream With a View
7 Minutes Show
Paintings
Drawings
About
Paintings of Any Resemblance is Purely Coincisental,
and paintings of Scream With a View.
Spaces upon spaces were opened, tangible planes, transparent partitions, and spaces became one: independent and interdependent spaces invested in creating separated stories. The drawings on the semi-transparent paper evinced an “extreme case” of a spaceless drawing that enters and accepts upon itself the space in which it was placed. On the verge of collapse, falling apart, what if my works were to orient themselves towards non-existence, if in the moment of the art doer-work-viewer triangle, the painting cancels itself, divests itself, negates itself, collapses itself, and only the viewer remains? Could a space be negated to zero? Will then a perspective be hyper disastrous? What if then, I thought, my paintings were paintings of—I, the painting, cancel myself, I am missing, and therefore only you remain. I am coming to you, I am approaching you, I am falling towards you, and therefore you are almost inside me.
Oil, drawing and vellum paper.
213.7X218.4 cm, 2025.
Any Resemblance is Purely Coincisental
Oil, digital photograph printed with inkjet and vellum paper.
230.5X296.9 cm, 2025.
Oil, drawing, Stainless steel cone, vellum paper and stretcher.
100X79.5 cm, 2025
Any Resemblance Is Purely Coincidental
Oil, digital photograph printed with inkjet, Stainless steel cone, cardboard box, vellum paper, stretcher.
75X100 cm, 2025.
A 6 works series divided into two: paintings of Any Resemblance Is Purely Coincidental, and paintings of Scream With a V