“Scream With a View” is a series of six paintings divided into two:
Paintings of Any Resemblance is Purely Coincidental, and paintings of Scream With a View.
The drawings on the semi-transparent paper evinced an “extreme case” of a spaceless drawing that enters and accepts upon itself the space in which it is placed. On the verge of collapse, falling apart, what if my works were to orient themselves towards non-existence, if in the moment of the art doer-work-viewer triangle, the painting cancels itself, divests itself, negates itself, collapses itself, and only the viewer remains? Could a space be negated to zero? Will then a perspective be hyper-disastrous? What if then, I thought, my paintings were paintings of—I, the painting, cancel myself, I am missing, and therefore only you remain. I am coming to you, I am approaching you, I am falling towards you, and therefore you are almost inside me.